4,513 Free Images of Etchings In The Yale Center For British Art

aquatint prints in the yale center for british art laid paper hand-colored paper etching print james gillray drypoint prints in the yale center for british art george bickham the elder henry thomas alken etching and aquatint

How a Great Admiral, with a Great Fleet, went a Great Way, was Lost a Great While, saw a Great Sight - And then came Home for a Little Water, Isaac Cruikshank, 1793

etchings in the yale center for british art isaac cruikshank

Philippus Heribertus Comes de Penbroke et Mongomery, Baro de Cardiffe et Shirland..., Robert van Voerst, circa 1635

etchings in the yale center for british art robert van voerst

Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber, John Thomas Smith, 1804

etchings in the yale center for british art john thomas smith (1766-1833)

A Duck and an Eagle with prey, a Pl. for 'A New Drawing Book...of Various Kinds of Birds, Drawn From the Life by Mr. Francis Barlow, 1731 (1 of 9), George Bickham the Elder

etchings in the yale center for british art george bickham the elder

Clarissimus Diodorus Tuldenus I.C., et Professor Regius in Academia Louaniensi, Pieter de Jode II, circa 1635

etchings in the yale center for british art pieter de jode (ii)

A Vulture with prey, and a heron, a Pl. for 'A New Drawing Book...of various kinds of Birds, Drawn from life by Mr. Francis Barlow, 1731' (1 of 9), George Bickham the Elder

etchings in the yale center for british art george bickham the elder

Title page for ' A New Drawing Book...of Various Kinds of Birds, Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9), George Bickham the Elder

etchings in the yale center for british art george bickham the elder

What's Humane Life, Where Nothing Long Can Stand? Time Flyes, Our Glory Fades, and Death's at Hand., William Faithorne the Younger

etchings in the yale center for british art william faithorne the younger

[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting into a difficulty, Henry Thomas Alken, 1820

etchings in the yale center for british art henry thomas alken

Domestic Architecture - N. E. View of an Old House lately Standing in Sweedon's Passage, Grub Street, John Thomas Smith, 1791

etchings in the yale center for british art john thomas smith (1766-1833)

Interview and Consultation for Discharge of Debts, or, C-RL-T-N House in Want of Necessary Furniture, William Dent, 1792

etchings in the yale center for british art william dent

[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting into a Bog, Henry Thomas Alken, 1820

etchings in the yale center for british art henry thomas alken

[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting a fall, Henry Thomas Alken, 1820

etchings in the yale center for british art henry thomas alken

View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf. 1802; Plate 2 from Views in Paris, the Emanuel Volume Tracing of the plate, B1981.25.2613, Richard Banks Harraden

etchings in the yale center for british art richard banks harraden

[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting a Dive, Henry Thomas Alken, 1820

etchings in the yale center for british art henry thomas alken

An Alarming Anniversary!!! or, King's Champion and 'Squire, Alamode Don Quixote and Sancho, taking a peep at the [Crown] and [Anchor], William Dent, 1791

etchings in the yale center for british art william dent

Set of Five: Studies of Children, a Dog, a Cat, etc., George Morland, between 1791 and 1795

etchings in the yale center for british art paintings by george morland

[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting Dead Beat, Henry Thomas Alken, 1820

etchings in the yale center for british art henry thomas alken

Beauties of a Gracious Speech, Or, Nuptial Introduction to John Bull, Or coming York over us., William Dent, 1792

etchings in the yale center for british art william dent

A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents" - Vide the Fate or Yet Catholic Bill, James Gillray, 1807

etchings in the yale center for british art a kick at the broad-bottoms

Fraternization in Grand Cairo or the Mad General and his Bonny-Party likely to become Tame Musselmen, Thomas Rowlandson, 1798

etchings in the yale center for british art romanticism

Receptie van S.K.H. den H. Prince van Orange ap zyn intrede tot Londen, 1689. General View, Romeyn de Hooghe

etchings in the yale center for british art romeyn de hooghe

Plate 3, The Idle 'Prentice at Play in the Church Yard during Divine Service, William Hogarth, 1747

etchings in the yale center for british art realism

[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting over a difficulty, Henry Thomas Alken, 1820

etchings in the yale center for british art henry thomas alken

[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting Home., Henry Thomas Alken, 1820

etchings in the yale center for british art henry thomas alken

The Water Works at Marli, and St. Germain en Laye seen in the distance 1803; Plate 15 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2624, Richard Banks Harraden

etchings in the yale center for british art richard banks harraden

Elegy (Four laid down on one sheet)(Notes to numbers 84-86 of Catalogue Mortimer Exhibition 1968), John Hamilton Mortimer

etchings in the yale center for british art john hamilton mortimer

Pastoral (Four laid down on one sheet)(Notes to numbers 84-86 of Catalogue Mortimer Exhibition 1968), John Hamilton Mortimer

etchings in the yale center for british art john hamilton mortimer

The Imperial Quixote and Generalissimo Sancho's Grand, Joyfull and Triumphant return to Germany after the Conquest of France, William Dent, 1792

etchings in the yale center for british art william dent

St. Aignan, Chartres, David Young Cameron, 1916

drypoint prints in the yale center for british art david young cameron

St. Mark's, No. 3, David Young Cameron, 1900

drypoint prints in the yale center for british art david young cameron

The North Porch, Harfleur, David Young Cameron, 1904

drypoint prints in the yale center for british art david young cameron

Miscellaneous Figures, William Henry Pyne, 1802

aquatint prints in the yale center for british art william pyne

Robert Lee's Workshop, David Young Cameron, 1905

drypoint prints in the yale center for british art david young cameron

Old Palace Yard from the South and Two Yards of the Tower now the Parliament Office, Frederick Christian Lewis, 1805

aquatint prints in the yale center for british art frederick christian lewis

The Riot in Broad Street on the Seventh of June 1780, James Heath, 1790

drypoint prints in the yale center for british art james heath

Stealing Off; - or - Prudent Seces(s)ion. "Courageous Chief The First in Flight", James Gillray, 1798

aquatint prints in the yale center for british art james gillray

View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance, Thomas Girtin, 1802

prints in the yale center for british art thomas girtin

The Genius of France Triumphant - or - Britannia Petitioning for Peace - Vide. The Proposals of Opposition., James Gillray, 1795

aquatint prints in the yale center for british art james gillray

A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, Isaac Robert Cruikshank, after 1820

aquatint prints in the yale center for british art isaac robert cruikshank

View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance, Thomas Girtin, 1803

aquatint prints in the yale center for british art thomas girtin

Woodmen, from "Picturesque Groups for the Embellishment of Landscape in a series of above 1000 Subjects...", William Henry Pyne

aquatint prints in the yale center for british art william pyne

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted al, Guillaume Philippe Benoist, 1745

etchings in the yale center for british art guillaume-philippe benoist

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose priva, Guillaume Philippe Benoist, 1745

etchings in the yale center for british art guillaume-philippe benoist

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door, Guillaume Philippe Benoist, 1745

etchings in the yale center for british art guillaume-philippe benoist

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel wh, Guillaume Philippe Benoist, 1745

etchings in the yale center for british art guillaume-philippe benoist

Plate 10, The Industrious 'Prentice Alderman of London, The Idle One Brought Before him & Impeach'd by his Accomplice, William Hogarth, 1747

etchings in the yale center for british art realism

Vacation Amusements. No. 4 Cultivating the Fine Arts.--- Etching, & c. or HB's Ascendancy in danger! (from: Caricature, vol. 6), John Doyle, 1840

lithograph prints in the yale center for british art john doyle

The Triumphal Entry of 100.000 (Crown)'s or a Luck Hit for E-O T-O P-O HO, and A'll the Rest of the O's (from: Caricature, vol. 4), Isaac Cruikshank, 1791

etchings in the yale center for british art isaac cruikshank

King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward... with Their Infant Son), Jean-Michel Grobon, 1791

etchings in the yale center for british art jean-michel grobon

Six Snipe and four herons on two plates on one for 'A New Drawing Book.of various kinds of birds, Drawn from the Life by Francis Barlow', 1731 (1 of 9), George Bickham the Elder

etchings in the yale center for british art george bickham the elder

Doves and Pheasants on two plates on one sheet for 'A New Kind of Drawing Book...of various kinds of Birds Drawn from Life by Mr. Francis Barlow' 1731 (1 of 9), George Bickham the Elder

etchings in the yale center for british art george bickham the elder

Two Crested cranes and four other birds, a Pl. for 'A New Drawing Book...of Various Kinds of Birds, Drawn from Life by Mr. Francis Barlow' 1731 (1 of 9), George Bickham the Elder

etchings in the yale center for british art george bickham the elder

Two Turkeys, two hens and four doves a plate for 'A New Drawing Book...of Various Kinds of Birds, Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9), George Bickham the Elder

etchings in the yale center for british art george bickham the elder

One eagle, one owl and three owlets, a Pl. for 'A New Drawing Book...of Various Kinds of Birds Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9), George Bickham the Elder

etchings in the yale center for british art george bickham the elder

Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc.", Samuel Middiman, 1797

etchings in the yale center for british art samuel middiman

Story of *Nell's Coach made good by the Cunning Man. Addressed to the Ducal Conjurer and Dutchess of [chamber pot] *in The Devil to Pay., William Dent, 1791

etchings in the yale center for british art william dent

Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc.", Samuel Middiman, 1803

etchings in the yale center for british art samuel middiman

View of St. Cloud and Mt. Calvary taken from Pont de Seve 1802; Plate 18 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2627, Frederick Christian Lewis, 1802

etchings in the yale center for british art frederick christian lewis

John Hunter's Book Plate with Armorial Bearings and Mrs. Hunter's Book Plate with her Monogram, David Young Cameron, 1893

etchings in the yale center for british art david young cameron

View of the Village of Chaillot & C. taken from Pont de la Concorde 1803; Plate 17 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2626, Frederick Christian Lewis, 1803

etchings in the yale center for british art frederick christian lewis

The Swallow Packet, Or, A Belly full of good News, piping hot from Bristol, in spite of contrary Winds, William Dent, 1792

etchings in the yale center for british art william dent

A Quiet Evening on the Ferry over the Blyth, Francis Job Short, 1890

drypoint prints in the yale center for british art frank short

Ponte della Trinita, David Young Cameron, between 1902 and 1907

drypoint prints in the yale center for british art david young cameron

View in the Inside of the Amphitheatre of Vespasion at Rome Commonly called the Colosseo, Richard Cooper, 1779

aquatint prints in the yale center for british art richard cooper, the elder

Pastorale, Frederic Leighton, 1867

pre-raphaelite brotherhood,etruscan school,aestheticism,neoclassicism,symbolism drypoint prints in the yale center for british art

The Friends of Freedom and May Our Liberties Never Be Swallowed in a Pitt, George Murgatroyd Woodward

aquatint prints in the yale center for british art george moutard woodward

View of the Pont St. Michael, taken from the Pont Neuf, 1803, Richard Banks Harraden

aquatint prints in the yale center for british art richard banks harraden

Theatre Royal Italian, Salon, dans l'Opera "Othello" par Mr. Ferri, Henry Martens

aquatint prints in the yale center for british art henry martens

Hotel de Sens [Paris Set: No. 3], David Young Cameron, 1904

drypoint prints in the yale center for british art david young cameron

The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter.", James Gillray, 1806

aquatint prints in the yale center for british art james gillray

The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence.", James Gillray, 1806

aquatint prints in the yale center for british art james gillray

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud, Thomas Girtin, 1802

aquatint prints in the yale center for british art thomas girtin

The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls.", James Gillray, 1806

aquatint prints in the yale center for british art james gillray

The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread", James Gillray, 1806

aquatint prints in the yale center for british art james gillray

Fighting for the Dunghill, - or - Jack Tar Settling Citoyen Francois (from: Caricature, vol. 1), James Gillray, 1798

aquatint prints in the yale center for british art james gillray

Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands, Paul Sandby, circa 1785

aquatint prints in the yale center for british art prints by paul sandby with aquatint

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud, Thomas Girtin, 1802

prints in the yale center for british art thomas girtin

Illustmus. Joannes, Com. de Tserclaes, Dom. Tilli. Baro. de Morbays, Dom, de Ballast. Montig. Holers. Heeswyck, Dynter, Etc., Pieter de Jode II, circa 1635

etchings in the yale center for british art pieter de jode (ii)

Europe. A Prophecy, Plate 1, Frontispiece, William Blake, 1794

romanticism,fairy painting europe a prophecy - copy a

Illussmaa. Dña, Genovesa D'Urphe, Vidua, Caroli. Alexand. Duc. Croi. Marchon. de Havre. Etc., Pieter de Jode II, circa 1635

etchings in the yale center for british art pieter de jode (ii)

Illussma. Dña, Genovesa D'Urphe, Vidua Caroli Alexand, Duc, Croi Marchion de Havere Etc., Pieter de Jode II, circa 1635

etchings in the yale center for british art pieter de jode (ii)

An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754, Mark Catesby

etchings in the yale center for british art mark catesby

An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754, Mark Catesby

aquatint prints in the yale center for british art mark catesby

How to Gammon the Deep, Ones or the Way to Overturn a Coach Ac(c)ording to Act of P(ar)l(ia)m(en)t (from: Caricature, vol. 4), Isaac Cruikshank, 1794

etchings in the yale center for british art isaac cruikshank

Illussma. Dña Genovesa D'Urphe, Vidua. Caroli. Alexand. Duc, Croi, Marchion. de Havre. Etc., Pieter de Jode II, circa 1635

etchings in the yale center for british art pieter de jode (ii)

Iphigenia's Late Procession from Kingston to Bristol - By Chudleigh Meadows, - Then the Dutchess was Brought into Court Attended by her Chaplain, Physician, Apothecary and Three Maids of Honor, John Hamilton Mortimer, 1776

etchings in the yale center for british art john hamilton mortimer

Set of Five: Eight studies: Woman with Basket, Blinkered Cart Horse, etc., George Morland, between 1791 and 1795

etchings in the yale center for british art paintings by george morland

[Animals] Seven studies on hound on one sheet. 'Jno. Harris' on collar of hound at lower left, George Morland, 1794

etchings in the yale center for british art paintings by george morland

View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations, 1803; Plate 7 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2616, Frederick Christian Lewis

etchings in the yale center for british art frederick christian lewis

Near Blair Athol Scotland, J. M. W. Turner, 1811

aquatint prints in the yale center for british art romanticism

May the Eye of Science pierce Through the Mists of Obsurity, George Murgatroyd Woodward, circa 1798

aquatint prints in the yale center for british art george moutard woodward

The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter", James Gillray, 1806

aquatint prints in the yale center for british art james gillray

View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame, Thomas Girtin, 1803

aquatint prints in the yale center for british art thomas girtin

A View of Firozeabad, William Hodges, 1780s

drawings in the yale center for british art paintings by william hodges

View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame, Thomas Girtin, 1802

prints in the yale center for british art thomas girtin

Nightly Visitors, at St. Ann's Hill; In Glided Edward's Pale-Eye'd Ghost, and Stood at Carlo's Feet, James Gillray, 1798

aquatint prints in the yale center for british art james gillray

View of His Majesty's Ship Boyne of 98 Guns, on Fire by Accident at Spithead, May 1, 1795, John William Edy, 1797

aquatint prints in the yale center for british art john william edy

Set of six with printed wrapper, and title-page: Shooting, or One Day's Sport of Three Real Good One's, Henry Thomas Alken, 1823

etchings in the yale center for british art henry thomas alken

Set of Five: Studies of Girls, one Playing with Hoop, one Picking Berries, Man and Horse, etc., George Morland, between 1791 and 1795

etchings in the yale center for british art paintings by george morland

3901 - 4000 of 4,513 Next page

/ 46